In most telerobotic and webcamera systems, the active element is a human making decisions at a computer, the passive element is a machine at the other end. This model does not strike me as problematic in itself. One might argue that this model, where humans make use of inanimate tools, is basic to artistic practice.

Similarly, providing widespread (though by no means universal) access to such resources (webcameras and telerobotics) is contrary to the elitism that lies at the heart of fascism.

I respect Brecht's theorization of radio and certainly recognize the potential for danger that comes from distancing. One of my motivations as an artist is to suggest/imply precisely that potential for danger.

Artists work to channel human agency in ways that inspire insight. It is rarely a two-way exchange. Often the human viewer is made slightly uncomfortable in the process, but that is not necessarily negative.

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– Ken Goldberg