Sample Grant Proposal

Names and personal information have been left off this sample grant proposal to maintain privacy of the students who actually completed this project.  Initials indicate a first and last name, and place holders (email, phone, etc.) indicate places where personal information should be included.   A video showing the ÒPerceptionsÓ project described in this proposal can be seen at http://digitalmedia.jhu.edu/Gallery/Gallery.cfm.

 

Title:

Perceptions

 

Project Description:

Summary

Perceptions is a walk-through installation that immerses the audience in sound, focused lighting, and video projections that evoke feelings of voyeurism and create an atmosphere that blurs the distinction between watching and being watched. Lights will illuminate certain parts of the Black Box Theatre.  As the audience explores the space they step into areas of dark and light.  Once in the light, these people become ÒwatchedÓ.  The people who are not in the light become the ÒwatchersÓ since they can see the person within the light without being seen.  The audience may experience feelings of empowerment, exhibitionism, fascination, fear, and shame.  We hope these feelings will encourage people to interact with the light and video projections as they watch each other, watching others.

 

What contemporary issues will be explored?

Our modern culture is a society obsessed with looks and what people think of each other.  Modern technology facilitates and supports tools to enable us to look at each other Ð sometimes it is wanted and sometimes it isnÕt.  This project hopes to evoke the feelings surrounding voyeurism: empowerment, exhibitionism, fascination, fear, and shame in a way that sheds light on both sides of looking; the watcher and the watched.

 

What is the project trying to accomplish/communicate?

The Perceptions project team is coming together to communicate and demonstrate the benefits of inter-institution collaboration. We are students from Johns Hopkins, Maryland Institute College of Art and Peabody School of Music.  We are trying to promote and facilitate the creation of Intermedia art and to further explore shared resources, joint research, and exhibition/performance opportunities.  By exploring the theoretical and practical problems inherent in the process of interdisciplinary collaboration we hope to develop skills critical to the real world collaborations we hope to participate in upon graduation.

 

What does it look/sound like? How would someone interact with it?

The venue for this project is the Swirnow Black Box Theatre at Johns Hopkins University Homewood Campus.  The Swirnow Theatre is essential to the project because of the nature of the grid setup.  Within the Swirnow Theatre, there will be an arrangement of fabric (scrims) such that the light shining above pointing down at s steep angle will illuminate scrims from one side and make opaque the scrims from the other side.  From the perspective of someone in the cone of light, the fabric will become opaque and from the perspective of an observer outside, the fabric would be translucent.  In order for spaces to be setup as individual arenas of experience Ð and so that a Ôwatching zoneÕ is not accidentally converted into a Ôwatcher zone,Õ the lights must shine down upon certain selected spaces and the pieces of scrims must be arranged from the ceiling such that an inviting labyrinth of lights is created.  Also hanging from the grid above will be speakers.  There will be three projectors (pointing at the scrims) playing looping video in three segments.

 

What technologies are used to create it?

Support for the experience will be set up above the Swirnow Theatre in the control room.  There, computers will be running and debugging/troubleshooting individuals will be at work both carefully coordinating the light interface as well as attending to technical problems that may arise unexpectedly. The standard theatre lights hung from the grid will be programmed to turn on and off in time with the music (slowly - not like a discotheque, but more to emphasize different parts of the music rather than to emphasize the tempo of the beat). In addition, the lights will be synchronized with action in the projections. To achieve this effect we will use Max/MSP, a visually oriented programming environment for audio and multimedia production. It is ideal for the creation of immersive installation pieces, live interactive performance, and audio algorithm prototyping, as well as more generalized programming tasks.    Standard high-end video projectors will be used to project loops of video from a DVD player.

 

 

Resume of qualifications of the student applicant/s.

The Perceptions project team will include four students from three Baltimore Universities. The group is comprised of two visual artists with expertise in video and installation projects, a composition major from Peabody, and Biology major from Hopkins with expertise in 3-D modeling and theatre design.

 

¤       J.L. Johns Hopkins University, Junior, Major, email, phone number, address

¤       Resume/Bio would go here with descriptions of relevant classes, workshops, independent projects, list of creative skills, software, technology s/he is familiar with.

 

¤       J.K. Maryland Institute College of Art, Senior, Major, email, phone number, address

¤       Resume/Bio would go here with descriptions of relevant classes, workshops, independent projects, list of creative skills, software, technology s/he is familiar with.

 

¤       P.N. Peabody School of Music, graduate, Major, email, phone number, address

¤       Resume/Bio would go here with descriptions of relevant classes, workshops, independent projects, list of creative skills, software, technology s/he is familiar with.

 

¤       E.S. Maryland Institute College of Art, Senior, Major, email, phone number, address

Resume/Bio would go here with descriptions of relevant classes, workshops, independent projects, list of creative skills, software, technology s/he is familiar with.

 

Anticipated barriers/challenges

Several questions need to be resolved before we can be confident of this idea working as we envision it.  We will spend the first few weeks of Intersession finding the answers through testing the technology and on-line research.

Technology Issues

¤       What kinds of inputs do LCD projectors take?

¤       Can multiple DVD players be started at the same time and remain in sync over several hours?

¤       What are the dimensions of a projected image and how will we position the projectors to fill the fabric with video image?

¤       What kinds of fabrics will work best with the projections and lights?

¤       Can the lights be controlled by computer using MAX/MSP software?

Skills we need to learn and how we will learn them

¤       Hanging and focusing theatre lights. - Ask Swirnow Theatre Technical Director

¤       Learn how to program MAX/MSP software. - Take workshop at the DMC

¤       Improve editing skills in Final Cut Pro - Take workshop at the DMC

¤       Sewing panels of Scrim - Ask JK to teach us using the sewing machine in the theatre.

Rules/policies that might impact the project

¤       Will we be able to schedule time in the Theatre for the performance or will it be reserved by other groups?

¤       Will we be able to access the scene shop in enough time to construct the scrim panels?

 

 

Project timeline

We plan to start work on Perceptions during Intersession and continue throughout the Spring (working evenings and weekends) culminating in a performance at the end of the JHU Spring Semester.  We will meet every other week with the DMC staff to check progress and get assistance.

 

Week Of

J.L will do

P.N. will do

J.K. will do

E.S. will do

1/6/02

Plan project

Plan project

Resolve ÒrulesÓ

Plan project

1/20/02

Test concept

Test concept

Test concept

Test concept

2/3/02

Take MAX workshop

Plan audio

Order supplies

Final Cut Wkshp

2/17/02

Learn MAX

Compose Music

Plan Video

Plan Video

3/3/02

Learn Lights

Compose Music

Shoot Video

Shoot Video

3/17/02

Spring Break

Spring Break

Spring Break

Spring Break

4/7/02

Program MAX Patches

Compose Music

Edit Video

Edit Video

4/21/02

Test/Debug with Video

Record Music

Test Video

Learn sew scrim

4/28/02

Hang Lights

Hang Lights

Hang scrim

Hang Scrim

5/5/02

Rehearse & Open

Rehearse & Open

Rehearse & Open

Rehearse & Open

 

Estimation of resources needed

Hardware - 3 LCD projectors, 3 computers with DVD drives for video playback, 1 computer for sound processing, video camera

Software - Final Cut pro for editing the video, Peak to edit the sound, MAX, to create controller program

Space - Swirnow Theatre for 4 days, place to cut hang scrim

Materials - 5 -9' x 5' panels made of scrim, 5 rods, 10 overhead stage lights, 8 overhead speakers, 4 stereo power amplifiers, Miscellaneous MIDI cables, speaker cables, power cords, etc. 5 mini-DV tapes.

Personnel - Someone to help with theatre lighting, and the assorted knowledge of the DMC staff.

 

Itemized project budget.

What is needed

Where to get it

Cost

3 LCD projectors

DMC has 2, MICA has 1

 

3 computers-video play

DMC has 2, E.S. has 1 to borrow

 

1 computer for sound

P.N. has 1 to borrow

 

Video camera

DMC

 

Final Cut pro

DMC

 

Peak audio editing

DMC

 

MAX authoring

DMC

 

Swirnow Theatre

Mattin Center

 

Scene Shop

Mattin Center

 

5 -9' x 5' scrim panels

Fabric store

$ 200.00

5 rods

Hardware store

$   15.00

10 stage lights

Mattin Center

 

6 powered speakers

DMC has 2, MICA 2, need 2 more

$  600.00

4 stereo amplifiers

DMC has

 

Misc cables

DMC has/purchase some

$    50.00

5 Mini-DV tapes

DMC purchase

$   50.00

Help with lighting

Mattin Center Staff

 

 

Total Estimated Cost

$  915.00

 

Contact information

Main contact for this project will be:

 J.L. Johns Hopkins University, phone number, email address, local address, class standing, expected date of graduation, department/major.